Showing posts with label As You Like It. Show all posts
Showing posts with label As You Like It. Show all posts

20/04/2014

As You Like It

Kenneth Branagh, 2006.

Renowned for his popular interpretations of Shakespeare on film, Kenneth Branagh directed As You Like It for BBC/HBO. And while it might not have reached the popular success of his Henry V or Much Ado About Nothing, there is a lot to love in it, most notably Bryce Dallas Howard’s charming, believable and utterly beguiling Rosalind. Filmed on location in Kew Gardens, it is set in Japan after it opened its doors to Western trade and technology in the mid 1800s. Roughly analogous in setting to The Last Samurai, it too features samurai warriors and ninjas, as well as Kevin Kline’s superbly melancholic Jacques, Alfred Molina’s tail-coat-clad Touchstone, and Romola Garai’s gullible and injury-prone Celia. But the film belongs to Howard’s Rosalind, whether you believe her transformation into Ganymede or not. Her capriciousness, delight, glee, sadness, tenderness, affection and mercuriality are all tangible, and by its end you feel as though you too could love her. And in a moment of rare genius, Branagh’s epilogue – with Howard-as-Rosalind-as-herself – is one of the more effective translations from page to screen in this Shakespeare film. Treat yourself. You might just be surprised, and find it’s, well, just as you like it.

05/04/2014

As You Like It

Belvoir, 2011


Photo by Heidrun Löhr for Belvoir.
Characterised by a theatrical delight and a rare whimsy which is so often missing in modern interpretations of Shakespeare, let alone his comedies, Eamon Flack’s As You Like It delighted in the language, in the words, the rhythms, the theatrical possibilities inherently written into one of Shakespeare’s greatest tour de force’s of theatrical disguise. Switching the genders of characters made no difference to the text, and there was a rambunctious playfulness which even the staunchest purists would’ve found hard to deny or ignore. When the cast appeared as sheep during the interval, the theatrical illusion of a pastoral idyll was complete. The perfect play for summer, it was everything modern Shakespeare should be: smart, funny, sexy, intelligent, respectful, clever, and above all, thoroughly Shakespearean.